a show by Fanny & Alexander

• Concept: Luigi de Angelis and Chiara Lagani
• Direction: Luigi de Angelis
• Dramaturgy: Chiara Lagani
• Set and lighting design: Luigi de Angelis and Antonio Rinaldi
• Sound devices: Mirto Baliani
• Costumes: Chiara Lagani and Sofia Vannini
• Metric and vocal training: Marco Cavalcoli
• Photography: Enrico Fedrigoli
• With Filip Bilsen, Maarten Goffin, Mauro Milone
• Voices: Alessandro Argnani, Chiara Lagani
• Scenographical atelier: direction Antonio Rinaldi,
• Participants: Elisa Eusebi, Elisa Martinetti, Francesca Merciari, Roberta Strada, Sofia Vannini,with Paolo Carrioli, Giovanni Cavalcoli, Marco Fellini and Marco Molduzzi
• Tailoring: Laura Graziani Alta Moda with Sofia Vannini
• Electrotechnical advice: Andrea Catalano
• Catering: Valentina Ciampi and Marco Molduzzi
• With Anna Maria Bollettieri, Maria Antonietta d’Errico, Loretta Masotti
• Promotion: Valentina Ciampi and Marco Molduzzi With the cooperation of Ifat Nesher for Canvas
• Management and Giusi Tinella for ONDA
• Press office Marco Molduzzi
• Logistics and web editing: Sergio Carioli
• Administration: Antonietta Sciancalepore, Marco Cavalcoli
• Production: Fanny & Alexander, STUK Kunstencentrum, Het Toneelhuis, Drodesera>Centrale Fies

Year : 2006

• With thanks to: Catherine Boving, Caterina Crepax, Maarten de Pourcq, Koen De Preter, Enrico Fedrigoli, Laura Graziani, Elisabetta Gulli Grigioni, Geert Hellemans, Gerardo Lamattina, An-Marie Lambrechts, Idolina Landolfi, Caterina Marrone, Giancarlo Nanni and Teatro Vascello in Rome, Paula Noah de Angelis, Venerina Panzavolta, Rodolfo Sacchettini, Luc Van der Stockt, Toon Van Hal, Museo Carlo Zauli in Faenza, Nadia Ranocchi and David Zamagni, Rocco Zuffa
• With special thanks to Roberto Magnani

The impossible languages “spoken” in the show are taken from or inspired by some literary and/or historical impossible languages: the tiptostenography of the man Tommy (“Nuove rivelazioni della psiche umana. L’uomo di Mannheim” by Tommaso Landolfi), the Solresol by Jean François Sudre, the poetic language for stammerers of potential literature (the echo verse of “Poétique curieuse” by Brunet). The final acoustic frame, “Aga magéra difùra”, is an homage to the beautiful, damned language of Y. from “Dialogo dei massimi sistemi”, by Tommaso Landolfi.