Awards

PREMIO UBU 2024 MIGLIOR

Timeline 2024 - 1997

  • UBU Award 2024 Best Show of the Year (ex aequo)

    Trilogia della città di K, by Federica Fracassi and Fanny & Alexander, adaptation and dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • UBU Award 2024 Best Direction to Luigi Noah De Angelis

    For Trilogia della Città di K, by Federica Fracassi and Fanny & Alexander, adaptation and dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • UBU Award 2024 Best Scenery to Luigi Noah De Angelis

    For Trilogia della Città di K, by Federica Fracassi and Fanny & Alexander, adaptation and dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • UBU Award 2024 Best Lighting (ex aequo) to Luigi Noah De Angelis

    For Trilogia della Città di K, by Federica Fracassi and Fanny & Alexander, adaptation and dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • UBU Award 2024 Best Sound Project to Mirto Baliani and Emanuele Wiltsch Barberio

    For Trilogia della Città di K, by Federica Fracassi and Fanny & Alexander, adaptation and dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • ANCT Award - Theatre Critics Association 2024 for *Trilogia della città di K.*

    *Trilogia della città di K.*, a project by Federica Fracassi and Fanny & Alexander based on the works of Agota Kristof, is a theatrical endeavor that brims with daring ambition. Above all, it seeks to intelligently and elegantly explore the power of language—those words written in *The Notebook* that, in the very act of being written, become reality or perhaps a sublime falsehood. Words upon words that Kristof composes, assembles, and with them invents or reinvents, shapes or molds reality, transforming her intimacy into a shared experience through the pages of her trilogy.


    *Trilogia della città di K.* represents not only the desire to bring Kristof’s work to the stage but also serves as a profound reflection by Luigi De Angelis and Chiara Lagani of Fanny & Alexander on their own aesthetics. They magnificently realize their ongoing exploration of the power of language—the home of being. At the same time, Federica Fracassi, who considers the trilogy her sweetest obsession, wholly immerses herself in embodying the writer.


    This production captures the spirit of an ambitious, intricate endeavor that exemplifies a profound devotion to the magic of theater. Fanny & Alexander, Fracassi, and the entire ensemble reaffirm the power of theater as a magnificent invention, a space where action becomes thought, and thought transforms into emotion. For their passionate artistry and their bold, visionary approach, they are awarded the ANCT Award 2024.

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  • Special UBU Award 2019

    For Se Questo è Levi, direction Luigi Noah De Angelis, dramaturgy Chiara Lagani

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  • UBU Award 2019 Best Actor or Performer Under 35 to Andrea Argentieri

    For the show Se Questo è Levi, direction Luigi Noah De Angelis, dramaturgy Chiara Lagani

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  • Audience Award - Teatri di Vita

    VI edition (2010-2011), awarded to West (show of the year) by Fanny & Alexander, dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • UBU Award 2010 Best Actress to Francesca Mazza

    For Francesca Mazza in West and the O/Z cycle by Fanny & Alexander, dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • Special UBU Award 2005 to Fanny & Alexander

    For the multi-year journey in search of great literature done in Ada, a family chronicle, measuring up with a scenic reality that transcends the need for representation, through a variety of media and expressive keys

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  • UBU Award 2005 Best Supporting Actress to Francesca Mazza

    For Francesca Mazza in Ada, a family chronicle - Aqua Marina by Fanny & Alexander, dramaturgy Chiara Lagani, direction Luigi Noah De Angelis, from Vladimir Nabokov

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  • Sfera Award for Research Work Cortopotere Year Three 2003

    Awarded to R for Redrum, direction by Luigi Noah De Angelis, in 2003 by the jury composed of Dario Catozzo (president), Ernesto Paganoni, Luigi Corsetti, Giovanni De Francesco, Daniela Previtali. For the ability to merge video language with avant-garde theater in a compelling optical drama

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  • Special UBU Award 2002 to Luigi Ceccarelli

    For the score and musical dramaturgy of Requiem by Fanny & Alexander, dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • Special Award 36th BITEF Festival Belgrade 2002

    Awarded to Requiem by Fanny & Alexander, dramaturgy Chiara Lagani, direction Luigi Noah De Angelis in 2002 by the jury of the 36th BITEF International Theatre Festival composed of Milorad Miskovic, president, dancer (France), Annie Dorsen, director (USA), Rudy Engelander, theater scholar (Netherlands), Nikita Milivojevic, director (Yugoslavia), Isidora Stanisic, dancer (Yugoslavia). For the creation of a theatrical space that is sometimes seductive and sometimes unsettling, and for an unconventional and uncompromising work that deserves attention and encouragement

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  • Special Jury Award for Best Music and Sound Design to Luigi Ceccarelli at the MESS Festival Sarajevo 2002

    For the best music and sound design for Requiem by Fanny & Alexander, dramaturgy Chiara Lagani, direction Luigi Noah De Angelis

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  • Lo Straniero Award 2002 to Fanny & Alexander

    Awarded in 2002 by the jury composed of Maurizio Braucci, Goffredo Fofi, Piergiorgio Giacchè, Alessandro Leogrande, Emiliano Morreale, Maria Nadotti, Monica Nonno, Fausta Orecchio, Paola Splendore (president), Dario Zonta. Fanny & Alexander, from Ravenna, a theater group that recklessly abandoned a path already secure for them and sought with Requiem a new territory where space, nature, image, music, and body can integrate into a poetry that brings the myth closer to us with all the incandescence possible today

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  • Production Award Riccione TTV 2002

    Awarded to R for Redrum, direction by Luigi Noah De Angelis, in 2002 by the jury composed of Franco Quadri, Ciro Giorgini, Andrea Lissoni, Anna Maria Monteverdi, Paolo Rosa, Francesca Airaudo. The video uniquely recreates a subliminal trace of the original performance through the pathological exaggeration of a distorted viewpoint that transforms the material. This important component fits into an eclectic formal structure that is sometimes heterogeneous but supported by the intensity of the sound and visual texture. The approach and treatment are indicators of an expressive potential that the Jury agrees in the decision to award the Production Award

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  • Special UBU Award 2000

    Awarded in 2000 to Fanny & Alexander, Masque Teatro, Motus, Teatrino Clandestino, Interzona of Verona. To the Prototype Project self-managed by Fanny & Alexander, Masque Teatro, Motus, Teatrino Clandestino at Interzona of Verona, as part of the Venice Biennale for planning and carrying out a fruitful collaboration between young theater companies in an extraordinary space

  • Coppola Prati Award 1997 to Fanny & Alexander

    Awarded in 1997 by the jury composed of Mauro Avogadro, Giovanna Buzzi, Gianfranco Capitta, Vincenzo Consolo, Marisa Fabbri, Franco Quadri. Very young in age but adults in practice, as befits their generation, the young members of Fanny & Alexander - tripartite in their personal image but reluctant to be recognized publicly as individuals, delegating their identity to the unique and binary formula of the acronym - cultivate and export from their native "Romagna felix" a theater strong in the precise sense of using ancient spaces and conscious of its fiction, which perhaps to reinforce the uncertainty of its nature, favors poetry and song, while crossing the paths of performance and visual arts

  • Giuseppe Bartolucci Award 1997 for an Emerging Group (Fanny & Alexander)

    Awarded in 1997 by the jury composed of Franco Quadri, Paolo Ruffini, Cristina Ventrucci, Renata Molinari, Gianni Manzella. Fanny & Alexander, a dynamic ensemble that highlights the sense in space and the contamination with visual arts. The presence of the actors and voices, tied to the use of sound techniques, almost touches the boundaries of installation, but in an ambiguous sense, where the dramaturgy consists of the deconstruction of liturgies and cults